Frances Jane Crosby
Frances Jane Crosby (March 24, 1820 – February 12, 1915), usually known as Fanny Crosby in the United States and by her married name, Frances van Alstyne, in the United Kingdom, was an American Methodist rescue mission
worker, poet, lyricist, and composer. During her lifetime, she was
well-known throughout the United States. By the end of the 19th century,
she was "a household name"[1] and "one of the most prominent figures in American evangelical life".[2] She became blind while an infant.
Best known for her Protestant Christian hymns and gospel songs, Crosby was "the premier hymnist of the gospel song period",[3] and one of the most prolific hymnists in history, writing over 8,000,[4][5] with over 100 million copies of her songs printed.[6] Crosby was inducted into the Gospel Music Hall of Fame in 1975.[7] Known as the "Queen of Gospel Song Writers",[8] and as the "Mother of modern congregational singing in America",[9] with "dozens of her hymns continu[ing] to find a place in the hymnals of Protestant evangelicalism around the world",[10] with most American hymnals containing her work, as "with the possible exception of Isaac Watts and Charles Wesley, Crosby has generally been represented by the largest number of hymns of any writer of the twentieth century in nonliturgical hymnals".[2] Her gospel songs were "paradigmatic of all revival music",[2] and Ira Sankey attributed the success of the Moody and Sankey evangelical campaigns largely to Crosby's hymns.[11] Some of Crosby's best-known songs include "Blessed Assurance", "Pass Me Not, O Gentle Saviour", "Jesus Is Tenderly Calling You Home", "Praise Him, Praise Him", "Rescue the Perishing", and "To God Be the Glory". Because some publishers were hesitant to have so many hymns by one person in their hymnals, Crosby used nearly 200 different pseudonyms during her career.[12][13][14]
Crosby wrote over 1,000 secular poems,[15] and had four books of poetry published, as well as two best-selling autobiographies. Additionally, Crosby co-wrote popular secular songs, as well as political and patriotic songs, and at least five cantatas on biblical and patriotic themes, including The Flower Queen, the first secular cantata by an American composer. Crosby was committed to Christian rescue missions, and was known for her public speaking.
BORN: March 24, 1820 South East, New York |
DIED: February 12, 1915 Bridgeport, Conn. |
LIFE SPAN: 94 years, 10 months, 19 days |
"Mother, if I had a choice, I would still choose to
remain blind ... for when I die; the first face I will ever see will be
the face of my blessed Saviour."
Blind for all of her life, Fanny Crosby, the
greatest hymn writer in the history of the Christian Church, later
wrote, "And I shall see Him face to face, and tell the story - Saved by
grace." She saw over 8,000 poems set to music and over 100,000,000
copies of her songs printed. As many as 200 different pen names,
including Grace J. Frances, were given her works by hymn book publishers
so the public wouldn't know she wrote so large a number of them. She
produced as many as seven hymn-poems in one day. On several occasions,
upon hearing an unfamiliar hymn. sung, she would inquire about the
author, and find it to be one of her own!
Fanny gave the Christian world such songs as: A
Shelter In The
Time Of Storm, All The Way My Saviour Leads Me, Blessed Assurance, Close
To Thee, He Hideth My Soul, I Am Thine 0 Lord, Jesus Is Calling, My
Saviour First Of All, Near The Cross, Pass Me Not, Praise Him Praise
Him, Redeemed, Rescue The Perishing, Safe In The Arms Of Jesus, Saved By
Grace, Saviour More Than Life To Me, Speed Away, Take The World But
Give Me Jesus, Tell Me The Story Of Jesus, The Lights Of Home, Thou
Mighty To Save, Tho' Your Sins Be As Scarlet, Tis The Blessed Hour Of
Prayer, To God Be The Glory, To The Work, Will Jesus Find Us Watching
... to
mention but a few.
Born in a one-story cottage, her father, John,
was never to be remembered by Fanny for he died in her twelfth month.
When Fanny was six weeks old, she caught a slight cold in her eyes. The
family physician was away. Another country doctor was called in to treat
her. He prescribed hot mustard poultices to be applied to her eyes,
which destroyed her sight completely! It was later learned that the man
was not qualified to practice medicine, but he had left town and was
never heard of again. Fanny never felt any resentment against him, but
believed it was permitted by the Lord to fulfill His plan for her life. A
wise mother set about immediately to prepare her daughter for a happy
life, in spite of this great handicap.
When but five years old, she was taken by her
mother to consult the best eye specialist in the country, Dr. Valentine
Mott. Neighbors and friends pooled money together in order to send her.
The dreaded answer came, "Poor child, I am afraid you will never see
again." Fanny did not think she was poor. It was not the loss of sight
that bothered her young heart. It was the thought that she would never
be able to get an education like other boys and girls. Surprisingly, at
the age of eight, she wrote her first recorded poetry:
0 what a happy soul am I! Although I cannot see, I am
resolved that in this world, contented I will be. How many
blessings I enjoy, that other people don't. To weep and sigh
because I'm blind, I cannot and I won't!
Around nine years of age, the family moved to
Ridgefield, Connecticut, where she was to stay until age 15. Mother was
kind, but busy making a living for both of them, so it was Grandmother
who became an unforgettable influence in her life. Grandmother spent
many hours describing the things of nature and heaven to her. Also, she
introduced Fanny to the Bible and this book now became more familiar to
her than any other. She began to devour the scriptures. It is said, that
as a child, she could repeat from memory the Pentateuch, the book of
Ruth, many of the Psalms, the books of Proverbs, Song of Solomon, and
much of the New Testament! This furnished the themes, inspiration, and
diction for her imperishable gospel hymns.
Two great blind poets of history, Homer and Milton,
were to be joined by another great, Fanny Crosby, who published her
first poem at the age of eleven.
Near her 15th birthday came a happy announcement ...
Mother could send her to a new school, The Institution For The Blind in
New York City. Fanny clapped her hands joyfully and cried, "O thank God,
He has answered my prayer, just as I knew He would." So it was on March
3, 1835, that Fanny boarded a stage for Norwalk and then a boat for New
York City. She was to spend the next 23 years of her life there, as a
student for twelve years, and then as a teacher for eleven years more.
From early childhood the sightless girl had felt the
urge to write poetry and several short verses had come from her lips. At
the institution her abilities began to assert themselves with renewed
force. Her teachers did not encourage her efforts but strangers did.
William Cullen Bryant visited the school one day and
gave her much encouragement, after chancing to read some of her verses.
She said afterwards, "He never knew how much he did by those few words."
Then one day, Dr. Combe of Boston, examined the heads of the blind
students. As he felt her head, he exclaimed:
And here is a poetess, give her every possible encouragement. Read the best books to her and teach her the finest
that is in poetry. You will hear from this young lady some day.
This was the encouragement that she needed. Poetry began to flow from her heart and mind.
In the autumn of 1843, when she was 23, she was
the sightless guest of Congress. Endeavoring to secure an appropriation
for its work, a group from the school was sent there. She paid tribute
to Congress in original verse and then began paying tribute to the Lord.
She delivered no stirring oration, nor pathetic story but simply
recited some poems, about the tender care of a loving Saviour. She spoke
with conviction, as though she had seen the Saviour face to face. The
notable assembly addressed included such men as: John Quincy Adams,
Thomas E. Benton, Hamilton Fish, Henry A. Wise, Alexander Stevens,
Jefferson Davis, and Robert Toombs. Before long, tears were glistening
on the hearers cheeks, for whether great or small, thousands were to
find her message a healing balm for the soul.
As a result of this witness, she began to make
friends with the great political and religious leaders of her time and
no one could forget her once they met her. During her lifetime, she knew
all the presidents except George Washington. President VanBuren dined
with her and remained one of her warmest friends. She heralded the
virtues of William Henry Harrison even though he served but one month.
When President Tyler came to the Institution For The Blind, Fanny
welcomed him with an original poem. Her friendship with President Polk
was close and inspiring. She enjoyed a close friendship with President
Cleveland for more than half a century, for at one time he was the
secretary of the Institution For The Blind while she taught. He took an
unusual interest in her life and work and was often engaged in copying
her poems.
Many visitors came to the school making memorable
occasions for all. Once, Jenny Lind came. She sang and Fanny Crosby
recited her poem called, `The Swedish Nightingale.' When Henry Clay
visited the school, Miss Crosby was elected to recite a poem in his
honor. When she had finished, Clay took her by the hand and said, "this
is not the only poem for which I am indebted to this lady. Six months
ago, she sent me some lines on the death of my dear son." Young Clay was
killed in a battle in Mexico. Standing there, the great statesman and
the blind poet wept together.
At school her first book published at age 24, was
entitled The Blind Girl and Other Poems. Also, she composed several
popular songs and assisted in writing what was probably the first
cantata published in America. At age 27, she became an instructor at the
school, a position which she held until 1858, when she left.
With all of her apparent devotion to Christ, already
shared in so many ways, it is hard to believe that she was not converted
until 1851, age 31 . This glorious beginning happened at a revival
service held at the old John Street Methodist Church in New York which
she joined. Recalling the incident years later, she said:
After a prayer was offered, they began to sing
the grand old consecration hymn, `Alas! And Did My Saviour Bleed?' and
when they reached the third line of the fifth stanza, `Here, Lord, I
give myself away,' my very soul was flooded with celestial light.
Romance came into the life of Fanny Crosby, also. As
early as age 20 she fell in love with another blind student by the name
of Alexander VanAlstyne. He was especially fond of music and was
captivated by her poems. She, likewise, was fascinated by his sweet
strains of music. Later, he was to write the music of some of her
hymn-poems and spend 44 years with her in marriage. One day in June he
sang to his beloved, the music of his heart. Fanny tells the story:
From that hour two lives looked on a new universe,
for love met love and all the world was changed. We were no longer
blind, for the light of love showed where the lilies bloomed, and where
the crystal waters found the moss-mantled spring.
He also became a teacher and for over 15 years their
friendship bloomed. Finally, on March 5, 1858, she was married at age
37. Life was just beginning for Fanny Crosby, for her life's ministry
was still ahead.
The marriage was a happy one with VanAlstyne, who
lived until 1902. The couple had one child, only to be taken in death
while yet a baby. Perhaps this incident helped inspire Fanny to write,
Safe In The Arms Of Jesus, which was to comfort thousands of grief
stricken parents suffering a similar fate.
Upon her marriage, she intended to use the name Mrs.
VanAlstyne, but her husband insisted that she continue to use her maiden
name, which was already quite famous. Later, the couple united with the
Thirtieth Street Methodist Church, in New York. Fanny Crosby remained a
lifelong Methodist.
Through Peter Stryker, the minister of a Dutch
Reformed Church, in New York City, she met the well-known composer,
William Bradbury. He gave her a most cordial welcome:
Fanny, I thank God that we have at last met, for I
think you can write hymns, and I have sought for a long time to have a
talk with you.
He suggested that she attempt a hymn for him that
week. This was the opportunity that she was waiting for. In three days
she returned and submitted her first sacred song, the initial stanza of
which reads:
We are going, we are going to a home beyond the skies, where the fields are robed in beauty, and the sunlight never dies.
This was in 1864, when Fanny was 44. Now, her course was set and this was her first hymn, used as a Sunday School hymn.
Some stories of her most famous hymn-poems follow:
Pass Me Not was her first hymn to win world-wide
attention. Acting upon the suggestion of her friend, William H. Doane,
Fanny composed this in 1868 after a prison service. As she spoke to the
prisoners, one cried out, "O Lord, don't pass me by!" She was so moved
that she went home and wrote her famous plea. Sankey said, "no hymn was
more popular at the meetings in London, in 1875, than this one." One
hard-drinking Englishman heard the crowd singing it and whispered to
himself, "Oh, I wish He would not pass me by." The nest night the
service began with the same hymn and he was saved. He began carrying a
copy of the hymn with him every day and forty years later, as a
successful businessman in America, he met Fanny and gave her twenty
dollars.
Safe In The Arms Of Jesus was considered, by some to
be her greatest hymn. One day, in 1868, Doane dropped by and said, "Miss
Fanny, I have but a few minutes before my train leaves for Cincinnati
but first, will you do me a favor before boarding that train? I want a
new hymn which I can introduce for the first time at a convention that
will capture the hearts and imaginations of the young people and
children. There is to be a great state-wide Sunday School Convention in
Cincinnati nest month and in addition to the large delegations of
adults, many young people and children are expected to be present. We
really need this new hymn."
Having the tune already composed, he said, "Listen
closely," and turning to the piano, he sat down and played his new tune
in a rousing and stirring manner. Fanny said, "Your music says, "Safe In
The Arms Of Jesus." Going to her desk, she took out a piece of paper,
found her pen, sat down, and began to write. As he played, she continued
to write. She folded the paper, placed it in an envelope and handed it
to her friend. Because his train was leaving in thirty-five minutes, she
exclaimed, "Read it on the train and hurry, you don't want to be late!"
On the train, he read the words that Sankey later
made famous, and hearts have been singing ever since. The stories
connected with this hymn are breath-taking. Once, a hackman, learning
that his passenger was Fanny Crosby, took off his hat and wept. He
called a policeman and asked him to see her safely to the train, adding,
"We sang Safe In The Arms Of Jesus at my little girl's funeral last
week."
When Bishop James Hannington was brutally murdered by
savages, in Uganda, Africa, his diary was recovered. In it, he tells of
being dragged away to be murdered, while singing Safe In The Arms Of
Jesus. He was even laughing at the very agony of his situation.
A strange story is told in connection with the
war in 1918. A Finnish engineer tells of besieging a town and taking a
number of Red prisoners. Seven of them were to be shot at dawn the
following Monday. One of the doomed men began to sing this lovely song,
Safe In The Arms Of Jesus, that he had learned only three weeks
previously, from the Salvation Army. One after another of the comrades
fell to their knees and began to pray. The seven asked to be allowed to
die with uncovered faces. With hands raised to Heaven, they sang this
song as they were ushered into eternity. The Finnish engineer,
Nordenberg, a former Army Officer, who tells the story, met Christ
Himself that very hour as a result of this witness.
Rescue The Perishing was written on a hot July night
in 1869. At a Mission, Fanny was addressing a large company of men, in
one of the worst sections of New York City, The Bowery. During the
service she felt impressed that some mother's boy must be rescued that
night or not at all. She made the plea for salvation and a boy of
eighteen came forward and exclaimed, "I promised to meet my mother in
heaven but as I now am living, that will be impossible." Fanny prayed
with this precious soul and he was joyously converted. He rose from his
knees, with a new light in his eyes, and said, "Now I can meet my mother
in heaven, for I have found her God!" A friend remarked, "Isn't it
wonderful what these rescue missions are doing?" While riding between
the Bowery and Brooklyn, in a hired horse-drawn hack, she started
writing because she could not wait until she got home. In her room, she
completed the lines of the hymn before retiring. The next morning, the
words were copied and forwarded to her friend, Mr. Doane, who
immediately composed the tune to which it has been sung ever since.
Blessed Assurance is her most famous hymn, according
to a hymn poll taken some time back by The Christian Herald. It placed
twelfth in the poll. Of favorite hymns, The Old Rugged Cross was number
one. One of Fanny's close friends, wife of the founder of the
Metropolitan Life Insurance Company, was Mrs. Joseph Knapp. On one of
her visits to the blind poetess, in 1873, she brought in a melody she
had composed. Several times she played it on the piano for Fanny. Then
she asked, "Fanny, what does that tune say to you?" Hesitating but for a
moment, she replied, "Blessed Assurance, Jesus Is Mine!" One of the
greatest gospel songs of all time was born.
To God Be The Glory was not really discovered until
1954, when it was introduced to Bev Shea in London. It was first sung by
Shea and the Billy Graham Crusade Choir in Toronto in 1955. Since then,
it has become a beloved hymn of the faith. San key did include it in
his first hymnbook, published in England in 1873, but not in later
subsequent editions published in America.
All The Way My Saviour Leads Me was written in 1874.
Fanny
needed five dollars one day and she just knelt down and told the Lord
about it. Soon after a stranger knocked at her door as he just wanted to
meet her. As he left, he pressed a five dollar bill into her hand. Her
first thought was what a wonderful way the Lord helps me. Immediately,
she composed this song.
Close To Thee was written in 1874, also, as S.J.
Vail brought one of his newly composed tunes to her, asking that she
write words for it. As he played it for her on the piano, she suddenly
exclaimed, "That chorus says, Close To Thee!" Immediately, she wrote the
poem.
Saved By Grace was written in 1891. At age 71 she
attended a prayer meeting at which Dr. Howard Crosby spoke. He talked
on the 23rd Psalm using `Grace' as his subject. That very same week, he
died suddenly, and Fanny said to herself, "I wonder what my first
impression of heaven will be?" A moment later, she suddenly answered her
own question, "Why, my eyes will be opened and I will see my Saviour
face to face."
A few days later, her publisher-friend, L.H. Bigelow,
asked her to write a hymn on `Grace.' She wrote the four stanzas and
chorus of Saved By Grace in less than an hour. This poem was put away in
a safe. In 1894, while visiting friends
in Sankey's home, in Northfield, Massachusettes, she was prevailed
upon to speak. Concluding her talk, she read this poem that she had
written three years earlier. A reporter, from The London Christian, took
her poem with him to England and published it. When Sankey found this
out, he prevailed upon George Stebbins to compose some music for it.
Other hymns had interesting beginnings. I Am Thine 0
Lord was a result of an earnest conversation on the nearness of God,
with Mr. Doane of Cincinnati; Jesus Is Calling was sent to Stebbins for
music upon his return from an evangelistic tour in Scotland, in 1883;
Near The Cross was the result of Doane stating, "I want a new song to
sing tonight in the evangelistic service." Saviour More Than Life To Me
came as a result of a tune which Doane sent Fanny requesting a song on
the theme of Every Day and Hour.
The hymn-poems came . . . with many composers adding
the music. One time Philip Phillips brought her forty subjects for
hymns. He returned several days later and surprisingly, discovered that
she had completed them all. She dictated all of them to him entirely
from memory.
The years that saw her more famous songs first
published were as follows: 1867 More Like Jesus; 1868 Safe In The Arms
Of Jesus (wrote); 1869 Near The Cross, Praise Him; 1870 Pass Me Not,
Rescue The Perishing; 1871 To The Work; 1873 Blessed Assurance, To God
Be The Glory; 1874 Close To Thee; 1875 I Am Thine 0 Lord, All The Way My
Saviour Leads Me, Saviour More Than Life To Me; 1876 Tho Your Sins Be
As Scarlet, Will Jesus Find Us Watching; 1880 Tis The Blessed Hour Of
Prayer; 1882 Redeemer; 1883 Jesus Is Calling; 1887 He Is Coming Man Of
Sorrows (Alice Monteith pseudonym) 1890 He Hideth My Soul; 1894 Saved By
Grace, 1 Shall Know Him.
For a long period of time she was under contract to
write three hymns a week for a New York Publishing Firm, Biglow and
Main. They purchased 5,900 poems from her and in her declining years
provided a regular allowance for her.
Her books of poems published were in addition to her
1st book of 1844 mentioned previously were Monterey And Other Poems
(1849); A Wreath Of Columbia's Flowers (1859); Bells At Evening And
Other Poems (1898); and Memories Of Eighty Years (1907).
Sankey did more than any other single individual to
popularize and immortalize Fanny Crosby's songs. The great crowds, who
thronged the Moody-Sankey revivals, sang her songs until they became
part of the heritage of that generation.
At 90 she declared, "My love for the Holy Bible and
its sacred truth is stronger and more precious to me at ninety than at
nineteen." Asked about her long years, she said her secret was that she
guarded her taste, her temper and her tongue. A famous saying through
the years was, "Don't waste any sympathy on me. I am the happiest person
living."
Fanny remained active until her death. At age 92, she
enjoyed her first visit to Harvard. Her latter days were spent in
Bridgeport, Connecticut, with a Mrs. Booth, who cared for her. Shortly
before her death, she penned her last lines . . . "you will reach the
river brink, some sweet day, bye and bye." On her last night, she
dictated a letter of comfort to a sorrowing friend, whose daughter had
recently died. At 3 the next morning, Mrs. Booth found Fanny
unconscious. She slipped away to the loving Saviour just short of her
95th birthday.
Her funeral filled the church with friends. The choir
sang her favorite song ... Faith Of Our Fathers ... then, her own ...
Safe In The Arms Of Jesus . . . and, Saved By Grace. Her minister,
George M. Brown, of the Methodist church said it well:
There must have been a royal welcome when this
queen of sacred song burst the bonds of death and passed into the
glories of heaven.
At her funeral was read words from Eliza Edmunds Hewitt, the last verse of a poem freshly written said:
Good-bye, dearest Fanny, goodbye for a while; You
walk in the shadows no more; Around you, the sunbeams of glory will
smile; The Lamb is the light of that Shore!
You will find a casual quote, on her grave in
Bridgeport, Connecticut .. . "she hath done what she could!" Buried
close by is P.T. Barnum, the Circus-tycoon, who laid up treasures on
earth while Fanny's treasures were laid up in heaven.
ACKNOWLEDGEMENTS
The scores of sources used in obtaining data for
this series are too numerous to mention. They include back issues of
many Christian journals, such as Christian Life, Decision, Sword of the
Lord, etc. The major sets of encyclopedias plus the Who's Who in America
series often provide factual data not obtained elsewhere. A library of
close to 500 biographies plus numerous other books, booklets and files
have been most valuable as well. Questionnaires returned from Christian
leaders now living have also been helpful.
The people who have encouraged me and worked hard in
the project are also rightfully acknowledged. The designing and editing
of my wife Margaret, and the typesetting of Griffin Graphics have all
made these biographies possible. I am thankful for this team God has put
together.
Also a word of thanks to Harold Henniger of Canton,
Ohio for allowing me to use the Christian Hall of Fame title, which he
originated.
Fanny Crosby, as a Bible believing Christian, knew that her place in Heaven was secured by repentance toward God and faith toward the Lord Jesus Christ and the blood He shed for our sins when He died on the cross of Calvary. Mrs. Crosby is with the Lord Jesus Christ right now, but do you know, with 100% assurance, from God's Word, that you will be with Jesus when you die?
If you do not have this assurance, please read:
These things have I written unto you
that believe on the name of the Son of God;
that ye may know that ye have eternal life,
and that ye may believe on the name of the Son of God.
that ye may know that ye have eternal life,
and that ye may believe on the name of the Son of God.
1John 5:13
From Wikipedia, the free encyclopedia
Fanny Crosby | |
---|---|
Background information | |
Birth name | Frances Jane Crosby |
Born | March 24, 1820 Southeast , Putnam County, New York , US |
Origin | New York City |
Died | February 12, 1915 (aged 94) Bridgeport, Connecticut , |
Genres | Hymns, gospel songs |
Occupations | Lyricist, poet, composer |
Instruments | Piano, harp, guitar, organ |
Years active | 1844–1915 |
Associated acts | George F. Root William B. Bradbury William Howard Doane Robert Lowry Philip Phillips Phoebe Palmer Knapp Ira D. Sankey George C. Stebbins William J. Kirkpatrick Hubert P. Main Philip P. Bliss Silas Jones Vail William Fiske Sherwin Hart Pease Danks John R. Sweney |
Best known for her Protestant Christian hymns and gospel songs, Crosby was "the premier hymnist of the gospel song period",[3] and one of the most prolific hymnists in history, writing over 8,000,[4][5] with over 100 million copies of her songs printed.[6] Crosby was inducted into the Gospel Music Hall of Fame in 1975.[7] Known as the "Queen of Gospel Song Writers",[8] and as the "Mother of modern congregational singing in America",[9] with "dozens of her hymns continu[ing] to find a place in the hymnals of Protestant evangelicalism around the world",[10] with most American hymnals containing her work, as "with the possible exception of Isaac Watts and Charles Wesley, Crosby has generally been represented by the largest number of hymns of any writer of the twentieth century in nonliturgical hymnals".[2] Her gospel songs were "paradigmatic of all revival music",[2] and Ira Sankey attributed the success of the Moody and Sankey evangelical campaigns largely to Crosby's hymns.[11] Some of Crosby's best-known songs include "Blessed Assurance", "Pass Me Not, O Gentle Saviour", "Jesus Is Tenderly Calling You Home", "Praise Him, Praise Him", "Rescue the Perishing", and "To God Be the Glory". Because some publishers were hesitant to have so many hymns by one person in their hymnals, Crosby used nearly 200 different pseudonyms during her career.[12][13][14]
Crosby wrote over 1,000 secular poems,[15] and had four books of poetry published, as well as two best-selling autobiographies. Additionally, Crosby co-wrote popular secular songs, as well as political and patriotic songs, and at least five cantatas on biblical and patriotic themes, including The Flower Queen, the first secular cantata by an American composer. Crosby was committed to Christian rescue missions, and was known for her public speaking.